Striking Writers and Studios Agree to Restart Negotiations

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The announcement of a return to the bargaining table was the first positive development in a dual labor walkout — tens of thousands of actors went on strike in mid-July — that has brought Hollywood production to a halt. Late-night television shows immediately went dark, and broadcast networks have retooled their fall seasons to include mostly reality series. Last week’s session, which lasted about an hour, was the first time the lead negotiators from each side had sat down in person since May 1, when talks collapsed. Both sides had characterized it as a meeting to determine whether it made sense to restart talks. With a strike starting to hurt companies and writers alike, was there a give-and-take to be had? Pressure has been increasing from multiple directions to reach an agreement. “It is critical that this gets resolved immediately so that Los Angeles gets back on track, and I stand ready to personally engage with all the stakeholders in any way possible to help get this done,” Karen Bass, the mayor of Los Angeles, said in a statement last Friday. Screenwriters and actors are worried about not receiving a fair share of the spoils of a streaming-dominated future. They say streaming-era business practices have made their profession an unsustainable one. Many streaming shows have eight to 12 episodes per season, compared with more than 20 made for traditional television. Writers are fighting for better residual pay, a type of royalty for reruns and other showings, which they have said is a crucial source of income for the middle-class writer whose compensation has been upended by streaming.